"Pink is the navy blue of India", once said Diana Vreeland, the legendary editor of American Vogue sixties. I bet she would have liked the Haute Couture Jean Paul Gaultier presented his home Wednesday afternoon, in the heart of Paris population of Saint-Martin. Its spring-summer collection 2013, inspired by the femininity of saris and flamboyant silks Eastern (and perhaps a bit of manna that represent the rich Indian consumers today) actually succeeds to combine exotic expertise Parisian avoiding caricature.
At the invitation of saffron, typography recalls the characters in Hindi. A small paper presented at the entrance tells you your place: "naan 65". Except when you're a star. In the first row, Catherine Deneuve, Rossy di Palma, Amanda Lear and Florence Foresti get go willingly. Facing them, the crackling flashes until the beginning of the show, 40 minutes after the announced time. The usual timing.
We first feared an overly first degree of Indian-dressing and the use of the soundtrack of Slumdog Millionaire is hardly reassures us, but our reserves proved unfounded. Rather than pay the Bollywood kitsch, Jean Paul Gaultier appropriates gypsy skirts and veils fuchsia and ability to mix with his own universe. Skirts in fluid jersey deal with structured jackets patchwork reptiles. Married mermaid dresses shantung and chiffon. Associations warm colors awaken our moral hibernation: apricot and anise, cobalt blue and chocolate, khaki and cinnamon ...
Look stretched by kohl and a high bun which then turns into heavy braid, the models also show some classic Gaultier: smoking, trench (gold leather) and dress-lingerie conical bra still have a bright future ahead of them .
In the end, the bride lifts her skirt hoops. Four lovely girls in colorful dresses and hurtle escape from the podium laughing. Future clients couture?

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